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Ask The Celebrity Expert: Shirley Manson On Acting | NewNowNext

May 18th, 2012

To the relief on many Garbage fans, the band finally released their new album Not Your Kind of People this week after a 6 year wait.

To talk about the new album and just why it took so long to make it, NewNowNext recently sat down with lead singer Shirley Manson. Shirley (who appeared on Terminator: The Sarah Connor Chronicles in 2008) also took some time to play a round of ‘Ask The Celebrity Expert’ where we get celebrities to play amateur advice columnists. She talks getting into acting. Check it out above.

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Nori sticks with acting – The Sault Star – Ontario, CA

May 18th, 2012


By Brian Kelly, The Sault Star

Updated 20 minutes ago






Dancing was out, and acting was in, at an early age for Tianna Nori.

The Sault Ste. Marie native dreamed of being a ballerina, but her efforts on the dance floor were a nightmare.

“(I) stood out like a sore thumb,” said Nori.

“I was just not good.”

Tapping her mouth, instead of her feet, to entertain others came a lot easier.

The Theatre Ontario Festival emcee was “one of those children who loved to perform for her family.”

“I loved to entertain,” said the St. Mary’s College graduate on Thursday.

“I’ve never steered away from it since.”

Nori, 26, credits regular participation in public speaking for shaking off her shyness. She tackled controversial subjects, speaking up for the unborn in a speech about abortion in Grade 8, and more personal trials, such as self-esteem, over a six-year span.

“That’s what gave me my backbone,” said Nori.

“I was not afraid to speak what I was thinking at a very young age.”

Her mom, Teri Hammond, was a big booster. She read The Little Engine That Could, over and over again, to Tianna.

“I was never scared to fall flat on my face,” said Nori.

“I truly believe that in order to succeed you must fail several times. Even if you do succeed, you’re going to fail again.”

Nori auditioned for school plays and, in 1997, tried out and won a role in Sault Opera Society’s production of Annie.

Wrapping up at R.M. Moore in 2000 with an arts award for her efforts, Nori spent a year immersed in sports at Korah Collegiate.

She tried out for basketball, played badminton and volleyball and “failed completely” at track and field.

“I was holding up the entire race because I was going to finish,” said Nori.

“I was not stepping off. Everyone was going to wait for me.”

She moved to St. Mary’s College to study drama with teacher Joe Lauzon. Nori appeared in four Theatre SMC productions ending with her putting a comedic twist on the role of Nurse in Shakespeare’s Romeo and Juliet.

“Joe Lauzon is one of the most passionate directors I have ever worked with,” she said.

“He wants to see his students succeed. He wants to see the program excel.”

Theatre SMC began competing at Quonta Regional Drama Festival in 2005, a year after Nori graduated and began studying acting at University of British Columbia. The move to a wider stage highlights the talents of both Lauzon and his young charges, says Nori.

She made the decision to change her focus from the stage to film in 2009.

Nori has hosted the television reality show, Last Bride Standing, for two seasons.

She adds the title of co-producer as the program begins pre-production for its third year.

“It’s been a crazy few months, but in a positive way,” said Nori.

Her older brother, Brian, has joined the team as the show’s creative director.

“He is so talented,” said Nori.

“We actually have the best working relationship I could possibly ask for.”

She has major roles in two upcoming Canadian films, Clean Break and Inspiration.

Nori is Tracy, the girlfriend who dreams of the perfect domestic life with her boyfriend in Clean Break. Tracy squares off with her beau’s buddy who wants him to major in fun.

“(She) doesn’t stop at anything for the perfect relationship to happen,” said Nori.

That could explain the bloody knife she holds in Clean Break’s poster.

It was a new cup of joe, not bloody shenanigans, that has drawn the most public attention to Nori’s prowess in front of the camera.

In January, the daughter of Michael Nori was in Montreal to film a commercial promoting flavoured lattes at Tim Hortons. She’s an antique store owner who ignores a dropped plate because her butter-fingered customers are holding the speciality beverages. The commercial can be viewed on YouTube.

Theatre Ontario Festival continues until Sunday. There are performances Friday (Picasso at the Lapin Agile) and Saturday (The December Man) at 8 p.m. at St. Mary’s College. Awards are presented at a brunch Sunday at Grand Gardens.

On the web: www.tiannanori.com

b.kelly@sunmedia.ca



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Cut! Print! That's a Wrap: A Review of Flat Acting | The Gaming Gang

May 15th, 2012

Game NameFlat Acting

Publisher: Eye-Level Entertainment

Designer: Mark Anticole, Matthew Anticole

Year: 2009

Players: 2 – 5

Ages: 8+

Playing Time: 30 – 45 Minutes

Retail Price: $29.95

Category: Family Game

Components:

  • 4 Game Boards
  • 50 Playing Pieces
  • 45 Plastic Stands
  • 4 Lock Tokens
  • 6 Critic Tokens
  • 5 Genre Cards
  • 60 Casting Cards
  • 12 Rewrite Cards
  • 1 Turn Summary Card
  • Rules

From Eye-Level Entertainment:

Quiet on the set? Not today!

Flat Acting invites you to take command of a genre of actors determined to claw their way to the top! The movie studio only has enough money to make one movie and when the different genres find out they aren’t too happy about it! Your genre is about to be thrown in the middle of a riot… winner take all! Be prepared to out-think your rivals in a race to the finish!

Flat Acting from Eye-Level Entertainment is an interesting game of moving actors from movie set to movie set trying to put together the best movies that you can, while your opponents are trying to do the same.

The object of Flat Acting is to score the most points by placing actors from your movie genre into the most advantageous positions on the different movie sets depicted on the game boards. Each movie set is worth a certain number of points, and if you have the most “Actor Points” on that set you win the value for the whole movie set at the end of the game. The player with the most points at the end of the game is the winner.

The game comes with four square boards of nice quality. They are glossy and each one represents a certain movie genre. There are four genres in the game; Romance, Scary, Detective, or Western. There is a bonus genre which represents the movie crew and can be used as a fifth player, or simply used to block other players during a 2-4 player game.

There are 50 character tokens with plastic stands with a total of 10 from each genre. They are thick and have cartoonish representations of different characters like a horse for the western genre, a vampire for the scary genre, and so on. Each character has a point value listed on it.

The bulk of the cards are called casting cards and each displays two characters from a certain genre along with a point value. When drawn, the casting card will be used to select a character to move to a set on the boards where there is room. The first time you draw a card that cannot be played because of the movement restrictions, then the game is over and the points are totaled up.

Additionally, there are cards called rewrite cards that a player can hang onto allowing them to take special actions during their turn, like swapping two characters, locking a set with a lock token so that the characters there cannot be moved, bonus points, and removing an actor from the board. There is a card representing each genre, which the players will keep in front of them to indicate which genre they have. Finally there are a few wildcards from each genre that allow you to place or move any actor from that genre.

At the start of the game each player selects a board and places it on the table. The boards must be lined up so that the walls match up in a logical fashion. Then each player draws a genre card and places it in front of them. All of the characters are placed off to the side of the board waiting to be cast in a movie.

The first player begins by drawing a card from the deck. If it is one of the rewrite cards they keep it face up on the table in front of them for later use and continue to draw cards until they get one of the casting cards. They can choose from either character shown on the casting card, and they must place one of those characters on one of the sets on the board, or move one of them from one set to another set. The choice is theirs.

The one restriction is that you cannot place a character on a set if it will make the total point value of the characters on that set greater than the point value of the set itself which is printed on the board. For example, if a set has a point value of eight and there is already a character on that set with a point value of five. You can only place a character there with a point value of three or less, otherwise you will exceed the eight maximum that the set can hold.

After you resolve the casting card you can play as many rewrite cards as you want, otherwise play passes to the next player, who draws a casting card and continues until a card is drawn that cannot be played. If you run out of cards you simply shuffle the discards and keep going.

The basic strategy of the game is to get the characters from your genre onto sets so that your points on that set are higher than any other player’s points. This way you will score the whole point value of that set when the game ends. If you have two characters with a total point value of five and another player has characters with a total point value of three on a set that is worth eight total points, then at the end of the game you would score all eight points for that set.

One interesting twist is that if you are tied for the highest amount with another player, then they cancel each other out and any other player left on that set gets the full point value.

The fun part of the game is that when you place a character on a set, you have to come up with some logical reason for that character to be on that particular set. You announce this to the other players when you place the character. “Suddenly a skeleton burst into the room startling the cleaning lady” or “Luckily, the detective brought along a picnic basket as he knew it would be a long stakeout” are both valid reasons. This is what adds the drama or “Flat Acting” to the game, and it is fun. If a player forgets to do this, another player can yell “Cut!” and give a critic token to the offending player. For each thumbs down on the critic token, the player loses that many points at the end of the game.

Flat Acting had its fun moments, mostly during the “adding drama” part of the game, however I do have a few criticisms.

First of all, I didn’t like that you never knew when the game was going to end. It can end at any time once most of the characters are on the board. It can end suddenly before you are ready, or drag on once the players get an idea of the best strategies for placing their characters. I prefer having an idea of when the end is coming, although some gamers make like this aspect.

Secondly, if you are unlucky the bulk of your character cards may get shuffled to the bottom of the deck. So while everyone else is getting the prime spots on the board, you are waiting to see if any of your characters will actually get played. I had one game end when less than half of my characters were on the board.

Thirdly is analysis paralysis, the play can slow down while a player looks over the whole board trying to find the best place to put the character they just drew, and it can make the game feel long and drawn out.

Finally, the game is best suited for four players. Five is ok too, but with three players you have two genres that are non-player genres that are used primarily for blocking and that can get tiresome. Two player games are even worse as there would be three blocking genres.

Overall it isn’t a bad game, it is an ok game best suited for family play. There are some fun moments, but there are also times when you can get really annoyed by the luck of the cards.

Pros: Fairly short game with some fun imaginative moments.

Cons: A lot depends upon the luck of the draw. Your games can suffer from analysis paralysis. You never know when the game will end, and it is not as fun with less than four players.

Rating: 6.0 (out of 10)

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W.E.N.N » Katherine Jackson 'concerned' For Paris' Acting Career

May 15th, 2012

Michael Jackson’s mother Katherine has reservations about her granddaughter’s acting career as she is convinced the King of Pop would not have wanted Paris to pursue a career in entertainment at such a young age.
The late Thriller icon’s 14-year-old daughter is desperate to be an actress and will make her big screen debut in 2013 fantasy film Lundon’s Bridge and The Three Keys.
However, Katherine, Paris’ legal guardian, admits she was reluctant to let the youngster chase her Hollywood dream.
She tells talk show host Piers Morgan, “I’m pleased and concerned (for Paris) at the same time because I don’t think that Michael would have wanted her to be out there this soon. But she wanted it so badly. She kept saying, ‘Please, Grandma! I want this, you know.’ It was something she really wanted so I just gave in and said OK.
“I said, ‘How do you know you can act? You haven’t had acting (experience).’ So I started sending her to acting (classes). Before then she said, ‘Just try me, just try me. I can cry on cue.’ She showed me how she can cry. She’s very good.”
Michael, who was just a boy when he shot to fame in The Jackson 5, went to great lengths to shield his three children from the spotlight, covering their faces with masks and blankets when they stepped out in public.

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The No Homers Club | I KNOW THAT VOICE (voice acting …

May 12th, 2012
“The Simpsons are still great as there where back then. Most kids don’t realise it. The only bad seasons were Season 1 and 2. Fucking shite animation and piss poor voice acting.”


As quoted by TheSlinkyGuyShow, 2012

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I still cringe at my acting in Murder-Emraan Hashmi | NG

May 12th, 2012

 

While I am mighty pleased Jannat 2 has hit the bull’s eye, I cannot help but look back at my nine-year journey in Bollywood. What immediately comes to mind is Murder (2004), my first hit. I can never forget the film that left an indelible mark on my career and life, and brought me to where I am today.

I was nobody when Murder clicked. Actually, I never wanted to be an actor. I might have gotten into special effects for all you know. I remember doing my first film Footpath (2003) just for a lark. It was like a summer job for me. I wasn’t playing the lead and the film turned out to be a flop. Even then, it gave me more than I had imagined. With Murder, I got my second chance. Here again, it was the film that had chosen me and not the other way round.

However, if and when one tastes success, he wants to succeed all the time. It happened to me after Murder. I understood how a film garners attention. I understood the meaning of box office success. Importantly, I understood what the film business is all about. It was the sex in Murder that sold. Mallika Sherawat’s bold image contributed to the film’s success in a big way. And full marks to Anurag Basu, who wielded the megaphone. Murder was far ahead of its times. It was extremely bold but also got its fair share of criticism.

I heard a lot of dissent myself, even at the office. I overheard things like “Yeh actor kaise ban raha hai, he can’t dance, his acting is questionable.” There was an entire conservative section of society that shunned Murder. However, I was not apologetic about it. I knew I wasn’t perceived as a traditional hero but I also understood I had created a certain slot for myself. At the time, I had only two options. I could have changed tracks and developed some weird aspiration that I want to become another Shah Rukh Khan, falling flat on my face. Else I could have worked on becoming a unique brand unto myself. Fortunately, I chose the latter.

However, I still cringe when I see my performance in Murder. I faltered. I fumbled. Bhatt saab (Mahesh) told me to draw my emotions from real instances. “Don’t fake it,” he ordered. “Develop your own individuality,” he thundered. Ever since, his advice is firmly entrenched in memory (smiles). Yet, Murder will always hold a special place in my heart.

— As told to Vickey Lalwani

LINK

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UCR Today: Chancellor Timothy White on Acting Decisively in …

May 9th, 2012

Chancellor Timothy White on Acting Decisively in Reforming College Athletics

Video discusses the decisive action necessary to change college athletics

UC Riverside Chancellor Timothy P. White in a video sponsored by the NCAA

UC Riverside Chancellor Timothy P. White in a video sponsored by the NCAA

RIVERSIDE, Calif. (www.ucr.edu) — University of California, Riverside Chancellor Tim White joined fellow board members of the NCAA Division I Board of Directors to discuss the decisive action necessary to change college athletics.

Joining White in the video are Cornell University President David Skorton and University of South Florida President Judy Genshaft.

View the video on YouTube.

 

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Acting gives life lessons to Will Smith

May 9th, 2012

Los Angeles:  Will Smith says being an actor has taught him valuable life lessons, especially a diplomatic manner to talk to everyone.

Sponsored Links

The star believes he has learnt to talk to people even if he hates them, reports showbizspy.com.

“I control every interaction with every human being that I’m with. I’ve learned that a person isn’t just an a**hole, or isn’t just crazy. If I am aware I can actually manage any situation with 98 percent of people on the earth,” said Smith.

“There are some lunatics but you just can’t do nothing with them,” he added.

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Acting LOCAL, after traveling GLOBAL

May 6th, 2012

I came home from the TEDxSummit in Doha, Qatar (Middle East) 2 weeks ago. I had a full week of workshops and conversations with other TEDx organizers from around the world.

(Not sure what TEDx is? Click here.)

These people care deeply for their local communities. As do I…

So the question that I’ve been asking myself since coming home to Ojai is:

“What does the community of Ojai need?”

Have any of the non-profit organizations or government agencies written up a needs assessment for the community? Do you have any ideas for what Ojai needs? I’d love to hear your responses.

After just a bit of thought and a few happy hour conversations, I think we need INTENTIONAL NETWORKING, AWARENESS and MOMENTUM.

We have programs for the young, the elderly, for the needy. But are they being funded fully? Are they being maximized by the populations they were made to serve? Are the program for the arts being promoted? Are the educational and informational services being utilized?

These are the questions that I come up with. Not so much the solutions to our community problems and shortcomings… but AWARENESS. Do we even know what resources we have access to? What already exists? Where are we doubling up?

A friend of mine from Paris asked me about the Ojai program where churches open at night for the homeless during the winter (Ojai Valley Family Shelter program). He’d like to help implement this in his city.

I think it’s a great opportunity for Ojai to shine a light on some of its innovative services and programs. And be a resource for other communities around the world.

Post the programs you’d like to see highlighted in our community in the comments section below.

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Janesville – Rock County: Ted Nugent's Kidney Stone Acting Up Again

May 6th, 2012
During a recent interview with Romney supporter Ted Nugent, CBS reporter Jeff Glor noted that Romney will need support from moderates. In response, the dangerously deluded Nugent went ballistic for no apparent reason and offered to perform lewd acts on Glor including ‘f*ck’ the female CBS producer.

Nugent later apologized and blamed his insanity on a kidney stone.

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